Optimistic doping management for Abdelwahed
The Venice Movie Pageant shone the highlight on the tragedy of opiates by crowning a documentary on photographer Nan Goldin and her relentless struggle in opposition to this well being scandal which has claimed tons of of hundreds of lives in the USA.
The jury chaired by actress Julianne Moore awarded its Golden Lion to the director, Laura Poitras, 58, and thus crowns a 3rd director in a row, after the French Audrey Diwan final yr (“L’Evènement “) and Chinese language-American Chloé Zhao (“Nomadland”) in 2020.
Above all, he distinguishes a pugnacious character who relentlessly probes the grey areas of America: after having labored on the American occupation in Iraq then Guantanamo, she grew to become the confidante of the whistleblower Edward Snowden and produced “Citizenfour” ( 2015), which gained the Oscar for Finest Documentary.
No shattering revelations this time in “All of the Magnificence and the Bloodshed”, the award-winning movie at Venice, however a journey by the lifetime of Nan Goldin, a 68-year-old photographer identified for her pictures of the New York underground and who rubbed shoulders with loss of life, from AIDS to the opiate disaster, his final struggle.
As a result of Nan Goldin, who had returned from Venice and couldn’t choose up her prize, took the lead in a David in opposition to Goliath struggle in opposition to the Sackler household, most important producers of opiates, painkillers who made folks addicted and killed half one million People over the previous 20 years.
“I’ve identified a variety of courageous folks in my life, however nobody like (Nan Goldin) who fought this very highly effective household,” the director stated as she accepted her award.
The Venice jury despatched one other political sign by awarding a Particular Prize to director Jafar Panahi, exhibiting that cinema wouldn’t bow to censorship in Iran and providing its assist to a filmmaker who pays together with his freedom for his want to create.
Golden Lion in 2000 with “Le Cercle”, Panahi is the one filmmaker in competitors to not have been capable of stroll the pink carpet, imprisoned since July by the mullahs’ regime. In “No Bears” (“The Bears don’t exist”), the award-winning movie, he places his personal scenario in abyss, an excellent snub to censorship.
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However the Venetian ceremony, which acts as a launching pad for the Oscars, after the “success tales” of movies like “Nomadland” by Chloé Zhao, Lion d’Or in 2020 or “Roma” by Alfonso Cuaron, two years earlier , has not forgotten the glamour.
The appearing awards went to pink carpet stars Cate Blanchett (“Tár”) and Colin Farrell (“The Banshees of Inisherin”).
However, the prize checklist seems like a slap within the face for the net video big Netflix, searching for cinephile legitimacy in Venice. Disadvantaged of Cannes competitors as a result of his movies usually are not launched in theaters, he has his serviette ring on the Lido the place he introduced a minimum of 4 movies.
Alas, neither the efficiency of Ana de Armas as Marilyn Monroe within the biopic “Blonde”, on-line on the finish of September, nor the surplus of the Frenchman Romain Gavras in his description of the riot of a suburb (“Athena”) satisfied the jury. Not more than the Mexican Alejandro González Iñárritu, who misplaced the spectators within the meanders of his “Bardo”, or the American Noah Baumbach, who didn’t discover the attraction of his earlier movies with “White Noise”.
This text has been printed routinely. Sources: ats / afp
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