Magnitude 6.1 earthquake hits Papua province in Indonesia

The Venice Movie Competition shone the highlight on the tragedy of opiates by crowning a documentary on photographer Nan Goldin and her relentless struggle towards this well being scandal which has claimed lots of of 1000’s of lives in america.

The jury chaired by actress Julianne Moore awarded its Golden Lion to the director, Laura Poitras, 58, and thus crowns a 3rd director in a row, after the French Audrey Diwan final 12 months (“L’Evènement “) and Chinese language-American Chloé Zhao (“Nomadland”) in 2020.

Above all, he distinguishes a pugnacious persona who relentlessly probes the grey areas of America: after having labored on the American occupation in Iraq then Guantanamo, she turned the confidante of the whistleblower Edward Snowden and produced “Citizenfour” ( 2015), which gained the Oscar for Greatest Documentary.

titanic struggle

No shattering revelations this time in “All of the Magnificence and the Bloodshed”, the award-winning movie at Venice, however a journey by the lifetime of Nan Goldin, a 68-year-old photographer identified for her photographs of the New York underground and who rubbed shoulders with demise, from AIDS to the opiate disaster, his final struggle.

As a result of Nan Goldin, who had returned from Venice and couldn’t decide up her prize, took the lead in a David towards Goliath struggle towards the Sackler household, foremost producers of opiates, painkillers who made individuals addicted and killed half 1,000,000 Individuals over the previous 20 years.

“I’ve identified quite a lot of courageous individuals in my life, however nobody like (Nan Goldin) who fought this very highly effective household,” the director stated as she accepted her award.

The Venice jury despatched one other political sign by awarding a Particular Prize to director Jafar Panahi, exhibiting that cinema wouldn’t bow to censorship in Iran and providing its assist to a filmmaker who pays together with his freedom for his want to create.

Golden Lion in 2000 with “Le Cercle”, Panahi is the one filmmaker in competitors to not have been in a position to stroll the purple carpet, imprisoned since July by the mullahs’ regime. In “No Bears” (“The Bears don’t exist”), the award-winning movie, he places his personal state of affairs in abyss, an excellent snub to censorship.

-Clap for Netflix

However the Venetian ceremony, which acts as a launching pad for the Oscars, after the “success tales” of movies like “Nomadland” by Chloé Zhao, Lion d’Or in 2020 or “Roma” by Alfonso Cuaron, two years earlier , has not forgotten the glamour.

The appearing awards went to purple carpet stars Cate Blanchett (“Tár”) and Colin Farrell (“The Banshees of Inisherin”).

However, the prize listing seems like a slap within the face for the web video big Netflix, seeking cinephile legitimacy in Venice. Disadvantaged of Cannes competitors as a result of his movies aren’t launched in theaters, he has his serviette ring on the Lido the place he offered at least 4 movies.

Alas, neither the efficiency of Ana de Armas as Marilyn Monroe within the biopic “Blonde”, on-line on the finish of September, nor the surplus of the Frenchman Romain Gavras in his description of the revolt of a suburb (“Athena”) satisfied the jury. Not more than the Mexican Alejandro González Iñárritu, who misplaced the spectators within the meanders of his “Bardo”, or the American Noah Baumbach, who didn’t discover the allure of his earlier movies with “White Noise”.

This text has been printed robotically. Sources: ats / afp